Puengen Minagof Nochebuena
by Michael Lujan Bevacqua
December 3, 2014
The Marianas Variety
THE Chamorro Studies Program at the University of Guam organizes
numerous events and programs each year.
We host or co-host forums, such as the female candidate forums and
sexual harassment forums held earlier this year. We offer Chamorro
language classes and over the past year Chamorro dance and weaving
courses. We hold regular colloquia where people speak on issues
important in a contemporary or historical sense to the Chamorro people,
including last year’s “The Chamorro Experience gi Fino’ Chamorro” a
lecture series in the Chamorro language. But amidst all these activities
there are two primary events that the program organizes each year, I
Inachaigen Fino’ CHamoru or the Chamorro Language Competition, each
March on Charter Day and Puengen Minagof Noche Buena, a Chamorro
Christmas celebration each December.
This year’s Puengen Minagof
Noche Buena will be taking place this Friday, Dec. 5 starting at 5:30
p.m. in the Humanities and Social Sciences building atrium at UOG. It is
a collaborative effort of the instructors and students for all the
Chamorro languages classes at UOG in the Fanuchan’an (fall) semester.
Normally,
the evening features a bilen-making competition, however this year is
different. A bilen is a Nativity scene, usually featuring a baby Jesus,
Mary, Joseph, some shepherds and the Three Kings (Wise Men). Nowadays
many people buy a set or use a set bought in previous years, but in the
past a family would collect moss and wood from the jungle and build the
scene themselves. In the past, classes would use found objects and
natural or recyclable materials to build their bilens and they would be
pitted against each other to see whose was the best. The competitive
aspect will still be present this year, but instead students will be
constructing latte stones. They will still have to use natural and
recyclable materials. Judges will be scoring the latte stones in the
following categories: Most Beautiful, Most Relevant to the Theme and
Most Creative. There is an additional category where those attending
Puengen Minagof will be able to vote for their favorite in the People’s
Choice Award.
A must for each Puengen Minagof is the enjoying of
Chamorro Christmas songs. Students will be singing a wide variety of
songs both traditional and more contemporary. Come and join UOG students
and sing along to old favorites such as “Dandan i Pandaretas” or
“Kantåyi gui’” or “Ta Falågue Sahyao.” You can also hear contemporary
Christmas songs such as “Rudolph the Red-Nosed Reindeer” or “Jingle
Bells” and “Silver Bells” translated into Chamorro. Here’s an excerpt of
Rudolph the Red-Nosed Reindeer or “Rudof” translated into Chamorro:
Rudof
agaga' i gui'eng-mu/ lålamlam kada puengi,/ ya kada ma attan i
gui'eng-mu,/ sigi hao di ma kasse,/ todu i mangga'chong-mu,/ sigi hao di
ma kasse,/ sa' hågu ha' nai na binådu,/ sasahnge yan na'ma'se'.
I
am proud to present that for this year’s Puengen Minagof, we will also
be featuring Chamorro weaving demonstrations. This semester the Chamorro
Studies program has been working with the group Pa’a Taotao Tano’ to
offer a class in Chamorro weaving. For the past few months, students in
the course have been learning how to weave items such as the gueha
(fan), katupat (rice pouch), guafak (woven mat), piña (pineapple),
puti’on (stars), ala (basket) and tuhong sakman (canoe hat). The
instructor is Art Pangelinan from Pa’a Taotao Tano’, who has been
teaching the students to weave with both hågon niyok (coconut fibers)
and akgak (pandanus fibers). The students will be presenting the items
they have learned to weave this semester and also be offering some
demonstrations for those interested in trying their hand at a kaputat, a
puti’on or a apacha’ (grasshopper).
There will be other
displays and demonstrations, including the screening of Chamorro
language film projects by students and the introducing of a new virtual
dictionary website. Professors Gerhardt Schwab and Rosa Palomo of UOG
have been working on developing a virtual database and learning resource
for the Chamorro language. Students in CM301, or Advanced Chamorro,
have been working this semester to add words, dialogues, grammatical
lessons to the website which will hopefully be launched sometime next
year. Rosa Palomo has been teaching Chamorro at UOG for many years.
Gerhardt Schwab is actually a social work professor at UOG, but recently
declared himself a Chamorro Studies major and has since returned to
school to learn the Chamorro language.
Finally, what is perhaps
the most exciting aspect of Puengen Minagof for people is the food. This
year’s table will feature a variety of exciting types of buñelos, or
donuts. According to the students coordinating the table, there will be
buñelos dågu, buñelos aga’, buñelos månglo, buñelos kalamasa, buñelos
kamuti, buñelos manha and perhaps several other surprises.
I
want to thank Dean James Sellmann of the College of Liberal Arts and
Social Sciences for hosting the event. I also want to congratulate the
fafa’na’guen Chamorro at UOG for all their hard work in making this
event happen: Sinora Palomo, Sinora Flores, Sinora Mendiola, Sinot
Franquez and Sinot Benavente. They are all part-time faculty who are
dedicated to the promotion and protection of the Chamorro language and
each year organize wonderful events like this to that end.
Biba Puengen Minagof! Biba Chamorro! Biba UOG!
Showing posts with label Christmas. Show all posts
Showing posts with label Christmas. Show all posts
Sunday, December 13, 2015
Friday, November 30, 2012
Ukon I Manaina-ta
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November 30, 2012
Preserving Chamorro songs and chants: Concert highlights efforts of group
By Lacee A.C. Martinez Pacific Daily News
Guam has a long tradition of family gatherings during the
holidays, where prayers are said and music is sung — often in Chamorro.
These traditions, however, have been slipping away, taking the music and language with it.
Through a grant from the Association of Native Americans, Pa’a
Taotao Tano’ has been working to preserve much of the music, as well as
the newer chants and songs sung in Guam’s native tongue. Tomorrow is
your chance to hear some of that music live in concert.
Pa’a Taotao Tano’ and the ANA present a Chamorro music concert to
launch a songbook and CD, “I Ukon I Mañaina-ta, Chants and Songs from
Our Elders.”
The concert will feature the St. Francis Children’s Choir, EMMAUS!
Choir, the San Isidro Catholic Church Christian Mothers and the Pa’a
Taotao Tano’ Chanters performing the music documented and recorded in
the project.
The work to perpetuate and share the songs nearly lost to the
previous generations began in 2010, says Nicole Calvo, project director
for Pa’a Taotao Tano’s Chamorro language through chants, prayers and
song project.
Two resource tools
The goal was to produce two resource tools — a musically notated
songbook and a CD recording of some of the select songs from the book.
The project included a year of interviews with: manamko’ on and
off island; techas, prayer leaders from the churches; and the fafanague,
the dance leaders of the different guma, or houses, that fall under
Pa’a Taotao Tano’. Pa’a Taotao Tano’ is an umbrella organization of 11
different dance groups of Chamorro cultural practitioners, Calvo says.
“We interviewed the manamko’ and talked to them about some of
their childhood memories of some of the songs,” she says. “Many of them
came back to us singing some of the secular songs and most especially
the non-secular — the religious church songs from ... novenas and so
forth. We kind of captured that.”
The second year of the project
began the transcription of some of the songs into musical notes, for the
songbook, which is comprised of some 70 songs — secular and
non-secular.
Some of the music includes original compositions from musicians
such as Bill Paulino and Cathy Calvo Cruz, who directs the St. Francis
Children’s Choir and also worked to document the music with the project.
“We have had a couple of people who had passed away, like a woman
named Bernadita Tenorio who had collected volumes and transcribed so
many Chamorro songs,” Calvo says. “The family allowed us to go ahead and
use her original compositions.”
Family legacy
“My
mother’s novena is a continuation from her mother’s and her mother’s
mother’s traditions,” Cruz says. “We’re realizing that this is not going
to continue unless we make sure it’s absolutely out there physically,
not only that our families can benefit but our entire island. If we lose
that, we lose who we are entirely and it’s becoming scary. If we don’t
make a concerted effort to bring something from the past and make it
concrete, we’re going to lose it.”
The project includes secular songs such as “Atan Jesu Kristo” and
“Kantayi Gue,” as well as other songs that would have been sung in
church or at novenas.
“We have a really beautiful mix of little
snippets of our identity,” Cruz says. “Once you sing that, it just gives
you a sense of wow — I’m glad I still sing this song.”
The project
also includes original chants, many of which have come from Pa’a Taotao
Tano’ creative director Frank Rabon, who’s revered as a master of
Chamorro dance, Calvo says.
“Over the years, with the help of other students and colleagues,
he’s written chants that go with dances and the songs,” she says. “A lot
of it, we knew it was very important to capture that and musically
notate it for people to enjoy for generations to come.”
If you miss the concert, you will be able to purchase the CD and songbook at the Pa’a Taotao Tano’ office in Hagåtña.
“The next part of this is to take them into the different gumas —
the dance houses — and teach that to the children and youth to also
learn how to sing it,” Calvo says. “Hopefully from that we’ll be
teaching them the Chamorro language as well.”
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